What was the impact on your practice?
To have this post-graduation experience, where I was removed from normal life, gave me the chance to really think about where I wanted my work to go and to also have a period of just looking. That kind of pause, I realise now 19 years later, is so rare and luxurious and I really treasure the experience for that. Quattrocentro paintings remain a source of inspiration and feed into my work even now.
What would you say the long term impact has been on yourself and your work?
I don't know if I can really sum this up, except to say that it's all still there.